Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Floral, beautiful classical still life of flowers.039

ID: 46376

unknow artist Floral, beautiful classical still life of flowers.039
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unknow artist Floral, beautiful classical still life of flowers.039


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unknow artist

  Related Paintings of unknow artist :. | Christ in Emmaus | Portrait of the King Charles X of France in his coronation robes | caarl peter hillestrom | Still life floral, all kinds of reality flowers oil painting 223 | Saint Peter |
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CORNELISZ VAN OOSTSANEN, Jacob
Dutch Northern Renaissance Painter, ca.1472-1533 North Netherlandish painter, designer and woodcutter. He was the brother of Cornelis Buys I ( fl 1490-1524), who is usually identified as the MASTER OF ALKMAAR (see MASTERS, ANONYMOUS, AND MONOGRAMMISTS,
John brett,ARA
1830-1902
PEREDA, Antonio de
Spanish Baroque Era Painter, ca.1611-1678 Spanish painter. He was the son of a minor painter of the same name (d 1622) and, after his father died, about 1627 he moved to Madrid with his mother. There he entered the studio of Pedro de las Cuevas, and his fellow pupils included such artists as Juan Carreeo de Miranda, Francisco Camilo, Jusepe Leonardo and Antonio Arias Fernendez. He must also have known and studied the work of many masters esteemed at court, particularly Vicente Carducho, echoes of whose work can be found in the former's early paintings. Pereda received protection early on from a member of the Royal Council, Francisco de Tejada, and later from Giovanni Battista Crescenzi, a painter and patron who was in Spain from 1617. Pereda probably completed his training through contact with Crescenzi's collection and eventually he lived in Crescenzi's house. In 1634 Pereda executed Aid to Genoa (Madrid, Prado) for the decoration of the Salen de Reinos in the Casen Buen Retiro, Madrid, a project involving all the leading artists of Madrid, including Carducho, Velezquez, Zurbaren and Jose Leonardo. The death of Crescenzi in 1635 deprived Pereda of further court commissions and seems to have stopped him painting any further secular works other than still-lifes. Also in 1635 he began a well-documented career as a religious painter, producing large altar paintings and many other medium-sized works, probably for private worship. Outstanding among these is the Immaculate Conception (1637) in the Convento de los Felipenses, Alcale de Henares (Madrid). The important allegorical painting Vanitas






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